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From Victory and Associates/Hurry Up Shotgun, Turn Down the Guitars/Paths, released 14 October 2010
lyrics
Turn the guitars down! It’s time to sculpt the sound
The volume is too high, he’s not horsing around
Turn the guitars down! It is a classic standoff
We’d like to play at 11, he’d like to turn us off
Turn the guitars down! No melting of face
and that is the reason, this song features the bass
Turn the guitars down! You have to know your role
or you, won’t hear the vocals
because there’s no loud guitars in rock ‘n roll.
no!
This band is much too loud, they’ll never succeed unless they turn it down (turn it down!)
And in case you forget (it’s too loud!) that is as low as it gets
This band is much too loud, they’ll never succeed unless they turn it down (I’ts too loud!)
We’re rocking to you (turn it down!)
Turn it down you fool
Turn the guitars down! It’s too ding dang loud
This room sounds much different, when there is a crowd
Turn the guitars down! Or he’ll, increase the fade
Our volume the inverse, of how much we get paid
Turn the guitars down! We have no time to kill
And that is the reason, this line has a drum fill
Turn the guitars down! And adjust the PA
No reverb is needed, just crank up the vocals
and drop the 7K!
This band is much too loud, they’ll never succeed unless they turn it down (turn it down!)
And in case you forget (it’s too loud!) that is as low as it gets
This band is much too loud, they’ll never succeed unless they turn it down (I’ts too loud!)
We’re rocking to you (turn it down!)
Turn it down you fool
Turn down, turn down, turn down the guitars!
Turn down, turn down, turn down the guitars!
Turn down, turn down, turn down the guitars!
Turn down, turn down, turn down the guitars!
credits
from Turn Down The Guitars/Paths split 7",
track released October 14, 2010
Conan Neutron - Vocals
Paul Miller - Guitar/Vocals
Evan Gritzon - Bass/Vocals
Shane Otis - Guitar
Mouse Menough - Drums
Recorded at Soley Bean by Paul Miller July 2010, Mixed at Tiny Telephone and Faultline by Laura Dean, August 2010
Mastered by Chris Goosman and Baseline Audio.
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